Decay hits theaters and On Demand April 8 from Uncork’d Entertainment.
Featuring a “mesmerizing” performance by Rob Zabrecky, writer-director Joseph Wartnerchaney’s vividly nightmarish pic focuses on a middle-aged grounds keeper at a local theme park that suffers from a debilitating case of OCD. One day, his daily routine is disrupted by a surprise visitor in his basement: a beautiful young woman who, through a jarring turn of events, ends up dead. Jonathan panics and chooses not to report the dead girl. Instead, he invites her to dinner. Jonathan is happy to have a friend, until the police start closing in, and his mind, and the body of the girl, begins to decay.
Winner of the True Grit Award at the Denver Film Festival 2015, Decay also stars Lisa Howard (The Twilight Saga : Breaking Dawn Part 2), Jackie Hoffman (Garden State), and Elisha Yaffe (TV’sBetter Call Saul).
Run by a failed Broadway director a Midwest work release program which rehabilitates young offenders as an alternative to jail puts a group of teens through the mill when a pesky curse is played out.
To cut a long story short director/writer Phil Wurtzel’s Haunting in Cawdor is a rework of Shakespeare’s Macbeth with a ‘Venus in Fur’ touch about it. Now some horror fans reading this maybe be thing ‘eh, what?’ That’s because Friel Films’ Haunting in Cawdor is not a horror film per say, it’s more of a thriller with the associated Scottish curse, speaking the name Macbeth inside a theatre which will cause disaster.
The budget is clearly small, the camera work is crisp and the goings on are centred on one interesting and fitting location. Any work based on Shakespearian play is, as you might expect dialogue driven leaving the special effects waiting in the wing. Wurtzel clearly loves the source material. Pouting, innocent eyed beauty Shelby Young plays the deeply disturbed Vivian faultlessly. The acting is theatrical and fits its offbeat tone which suits Cary Elwes’ (secretive Lawrence O’Neil) acting prowess perfectly.
Haunting in Cawdor panders to the Twilight generation of teen angst but also covers suffering and graver abuse issues. Incidentally, Twilight star Michael Welch appears as rouge Roddy. As the curse increasingly starts to look like a reality there’s some jump scares, smidgens of blood and dream-like visions but generally it’s jammed with teen summer camp-tropes and Elwes pensively looking over his glasses.
It’s a wordy, low budget character piece with at best creepy theatre shenanigans, dressing rooms and running through the rain. Don’t expect 100 minutes shock and terror and you may ‘break a leg’ finding some teen cinema charm in Cawdor.
Film hits cinemas around the country 3/11 - Day and Date VOD release
Saw’s Cary Elwes kicks off a roll call of hot faces including Shelby Young (TV’s American Horror Story), Michael Welch ("Twilight," TV's Z Nation), and Allie Deberry (Lazer Team) in a frightening twist on Shakespeare’s Macbeth that’s being called one of the “surprises of the year” (lalafilm).
In this tense tale of psychological terror, Vivian Miller (Shelby Young) is a young twenties woman who's serving out her jail sentence at a work release program in the Midwest. Her 90 days of probation takes her to The Cawdor Barn Theatre, a dilapidated summer stock theater run by Lawrence O'Neil (Cary Elwes). Lawrence, a failed Broadway director, is now reduced to staging amateur productions with young parolees and raging over the mistakes from his past. Vivian's arrival in Cawdor starts a terrifying series of events that brings Lawrence's secret past to the present. After Vivian views an old taped stage production of Macbeth, a force of evil is unleashed which soon turns its sights on her. With the help of Roddy (Michael Welch), a local outcast, Vivian sets about trying to discover who the supernatural killer on the tape is before she becomes the next victim.
Written and directed by Phil Wurtzel, "A Haunting in Cawdor" will hit theaters around the country and be available on Demand March 11.
Directed by Jay Weismen. Produced by Favorit Films, Red Giant Media, Pipeline Entertainment. Starring Mei Melancon, Sonequa Martin, Bill Sage, Rich Ceraulo and Alexander Cendese.
Here we have a sci-fi premiered at London Frightfest Film Festival August 2014, I knew nothing about this film,and went in blindly, it is only since I have watched the film,that I have experienced all the severe negativity,and to be honest I like to find the good in any film,well unfortunately in this I could not find anything.
We have another post apocalyptic story of the Worlds Waters being polluted by a Nano Plague, to then have Alien invaders, force the rest of humanity to repopulate onto the moon.
With a new invasion launched from Earth 'The Unlight' Alien invaders,have found pockets of water on the Darkside of the Moon,and we have a battle for the natural resource, all living things need and that is water.
On paper or even script it has a decent idea,but with a completely confusing,and ridiculous script,that starts immediately, with no Titles, just computer software imagery, that introduces us to the cast,or crew,with just a little introduction what has happened on earth, with a daft voiceover, that gives no insight. I had to google the plot line, as the movie actually has none.
I have seen Thousands of movies in my lifetime, although this is not the worst, and believe me I have seen some turkeys, it is definitely up there. A film originally filmed in 3D to show off the 3D effects, with constant computer Imagery, flashing up on screen, which in all honesty is the only good looking part of this film.
With the only decent character who can act Sonequa Martin,who is a Regular on The Walking Dead, is the only character I cared for. The So called Tough Talking Mei Melancon, as a character called 'The Machine' was as wooden as the cardboard suits the actors were wearing.
All in all I cannot recommend this film,the acting is terrible, the costumes look like they were borrowed from a 1970's Dr Who convention,with spray painted nerf guns, parading as weapons, this film is a definite no from me, and I love Sci-fi and horror.
1/5⭐️
In a world ravaged by a virus that turns people into cannibals, survivors endeavor to reach an island, however, it's not just the zombies that are a threat.
Right from the opening where a little girl gets eaten you know it's not going to be a fluffy DTV addition to the genre. Writer/Director Francesco Picone's offering looks bigger than it is with real locations, lots of gore and a steady pace. Zombie completists au fait with Eaters (2011), Apocalypse Z (2013) aka "Zombie Massacre" and Zombie Massacre 2: Reich of the Dead (2015) will be familiar with the makeup style and saturated look that the talented (and friendly) Luca Boni and Marco Ristori have delivered in the past. Here they hang up their directing hats and don producer roles (along with Uwe Boll who incidentally has very little involvement, House of the Dead - this is not).
Picone takes up the reins and delivers similar aesthetics to Boni and Ristori. Jokes aside I tip my hat to Boll and company who appear to be single handily reviving the Italian zombie scene with another sub-genre addition. However, Picone's film is more refined, it's void of comedy, the make up is more realistic and the script along with the acting are better.
The blood, bite wounds, severed limbs are effective. After the strong opening it then jumps four months after the outbreak with a road trip storyline that includes a pregnant woman Alice played memorably by Roberta Sparta. It has emotion and some tension between her and Peter as they are chased down by the sound attracted fast moving infected. The characters have to make hard choices along the way. Both Désirée Giorgetti as the Prisoner and Aaron Stielstra as Rooker are notable, their story thread is hard hitting at times with a nasty female abuse subplot reminiscent of Joe Chien's Zombie 108's (2012). However, when the story follows Alice and Peter and the zombies are in the forefront it works much better.
The acting, make up effects and camera work is solid enough, and even though all the players appear to be named after characters or actors synonymous with the zombie genre it's not a Syfy channel production. Also refreshing its not set in the USA, the locations are quite interesting and to Picone's credit it benefits from a nihilistic down beat ending.
Anger of the Dead (A.K.A Age of the Dead) is worth viewing especially if you liked the aforementioned films, that said Picone's offering is appreciatively far more serious and debatably superior due to it's darker tone.
Writer-director Francesco Picone and producer Uwe Boll (House of the Dead) present Anger of the Dead, released this January from Uncork’d Entertainment. The highly-anticipated post-apocalyptic horror film releases in theaters in NY and LA as well as Digital.
In a world ravaged by a virus that turns people into cannibals, a pregnant woman (Alice) manages to survive. Alice, in the company of two other men, strives to reach an island untouched by the plague. Meanwhile, a dangerous individual is on the trail of a mysterious girl, which causes Alice to realize that the Zombies are not her biggest and only threat.
Aaron Stielstra, Marius Bizau, Désirée Giorgetti, Michael Segal, Roberta Sparta, David White, Claudio Camilli, and Chiara Paoli star in the feature adaptation of Picone’s short film of the same name.
One room. Four Paranormal investigators. One not so amused ethereal being. What could possibly go wrong? Well, allow director Simon Pearce to show you....
Director: Simon Pearce.
Cast: Martin Delaney, Lucy Cudden, Simon Merrellis, Alexander Perkins.
Jerry (Delaney), Anna (Cudden), Mark (Merrellis and Ian (Perkins) are a team of paranormal investigators who do a lot of their work in front of a camera, think Derek Acorah and Yvette Fielding in Most Haunted, only more believable. The team are sent to a village hall where recent unexplained activity has been witnessed. Whilst here they are also due to film a training video for the next generation of investigators.
All is going smoothly and there is little to worry about. Jerry is strutting his cock-sure way around the room doing his bits to camera, Anna is using her psychic abilities to test the area for phenomena and Ian is using his geeky tech skills to test the area for anomalies. Mark broods at various points around the room. However when they begin to realise they cannot explain what is happening, peculiar things start happening. Peculiar even for the experienced investigators.
Judas Ghost is at its core an indie paranormal film. But all praise to Pearce, he hasn't opted to for the overused found footage option that has saturated the market since The Blair Witch Project and Paranormal Activity. Pearce has cleverly reduced the location and outlandish plot points to focus on the narrative and the effects. This has paid off in terms of effects, as they are impressive for a film with a restricted budget. The plot, however, could do with a little more development. Whilst it is by no means poor, there are certain aspects that could have been developed further to help audiences invest and follow what is happening and the motivations behind it.
For example, we never really learn what is behind Mark's brooding. We learn about a troubled history but only in glimpses. If this was explored further it may provide more gravitas to the overall character and the plot itself. It would also have helped if the beast that torments the team was explained further or given more of a purpose for being there. This was given in the film to a certain extent, but more may have been beneficial in terms of rounding out the narrative journey.
The characters are relatively well developed in terms of their interactions. they appear to make a good team and although the character of Mark would benefit from further exploration of back story, the other characters are all individual enough to serve their purpose. They each bring to the team their own skill set and they mesh well together. There is a hint of a lust or romance between Jerry and Anna that is never explored fully which is refreshing, an over riding love story has the potential to cheapen a pure paranormal thriller. Delaney's confident, cocky Jerry is believable as a front-of-the-camera team leader. Whist writer Simon R. Green has filled the story with paranormal language he has also provided quips and comedy moments, especially for Jerry, that help an audience to bond with his character.
Judas Ghost is an interesting film, and whilst it may not break new ground or push any boundaries it does entertain. Considering its indie budget and limited setting it offers an intriguing plot, although this could have been developed further in certain areas. The actors are solid with Delaney's Jerry offering the most developed character. Enjoyable, if you consider its limitations.
Aliens and Prometheus collide in visual effects showcase 'Shockwave Darkside'
Sci-fi mindbender Shockwave Darkside orbits VOD January 5 from Uncork’d Entertainment.
Starring Bill Sage (Boardwalk Empire), Mei Melancon (Nightmare Code), Sonequa Martin-Green (The Walking Dead) and Rich Ceraulo (Supergirl), the “enjoyable and intelligent” (SFCrowsNest) mesh of visual effects and chair-gripping thrills was a ten year labour of love for writer-director Jay Weisman.
Five soldiers, shot down and behind enemy lines in a battle over water, frozen in the deep craters of the lunar surface, find themselves marooned on the dark side of the moon. With depleting air and supplies, they have no choice but to start a dangerous trek through hostile territory. As their numbers dwindle and nerves fray, they make an amazing discovery about the moon that just might save their lives, but destroy the very cause that they are fighting for.
Inspired by the storytelling of classic science-fiction literature from the 50's, but with a 21st century twist, Shockwave, Darkside is an exciting, thoughtful and timely exploration of the tense collision between faith and reason.
In a little English village called Deddington a pack of werewolves on holiday come face to face with their victim and hunter friend.
For a moment I’m going to hold back on yabbering about this latest werewolf film, I should also point out that the 3D version was sadly not available for us from Tirana Films/Great Dayne Entertainment/Boom & Spray Productions. More important than director’s Tony Jopia’s offering is the knowledge that the first scene has Hammer Horror star, Sinbad’s Margiana and James Bond’s Naomi, actress Caroline Munro. Here she cameos as a shopkeeper, arguably still edible to the older gentleman, surely any self respecting werewolf would be honoured to gobble her up. I digress, many of the same cast and crew of Cute Little Buggers, a low rent Gremlins, reteam armed with a Hammer's business model, like a multi-picture deal of Craig Fairbrass films for... Ba-dum ching - Crying Wolf! A Kermit the Frog YAY please.
Taking a compulsory leaf from American Werewolf in London and Dog Soldiers and the recent Howl, Jopia’s Crying Wolf has plenty of sleepy village dolly tracking and crane shots. Jopia armed with ropey CGI (a limited suite of stretch effects, colouring and kinetic werewolves reminiscent American Werewolf in Paris); plenty of claret and fake limbs throws on screen what can only be described as canned wolf fodder. The tin looks good, it contents appear tempting but even if out of curiosity do you really want to open that bad boy up and taste it?
To Jopia's credit I've never seen a werewolf film with a grand Bond style opening credit sequence but voilà Crying Wolf has one and a theme tune too. With pub humour, Brookside pacing, gratuitous blood and breasts, this is not to be confused with Jeffrey D. King’s independent documentary film Crying Wolf (it’s an easy mistake to make). Written by Andy Davie, Michael Dale and Jopia this presentation is ridiculous and equally as silly (including a wrong hole gag) with its out of place flashbacks and unnecessary back stories. Aside from an abundance of pretty looking cast members what’s genuinely enticing is the atmospheric locale (possibly interesting if you live outside of the UK), there are also some nice make up, old school practical effects and there really is a germ of a good idea hidden away in the bottom of a pint glass. It’s energetic cast, include Gabriela Hersham, Chloe Farnworth, Joe Egan (of the well executed short – Predator Dark Ages), Kristofer Dayne, Gabriela Hersham and Ian Donnelly to mention just a few who put in every effort known to man to have fun with their characters. Notable is Angela Holmes who pops up briefly.
I’m going to mention (because I can), if I didn’t know better I’d say their tagline is a rework of my very own novel but this sub-genre stuff is in the air. With werewolves appearing from the shadows lunging at the camera and popping into an already very cropped frame, for the love of Thiess of Kaltenbrun don’t expect Lowell Dean’s Wolf Cop. Be safe in the knowledge that John Landis needn't worry about losing his 1981 and 1984 werewolf crown either.
This stretched low-budget Carry On up the hammy werewolf is best served with a load of friends, excess barrels of real ale and an aptitude for this type of film. No doubt Crying Wolf will certainly become someone’s guilty pleasure.
Director Simon Pearce’s gruesome Ghostbusting tale "Judas Ghost" premieres December 1 on VOD and DVD. The cast includes Simon Merrells, Martin Delaney, Lucy Cudden, Alexander Perkins and Grahame Fox.
“One of those rare horror offerings that is as interested in telling a clever, refreshing ghost story as it is offering the best film possible” (Fangoria) Judas Ghost brings to the screen author Simon R.Green’s acclaimed ‘Ghost Finders’ series. In it, a team of professional ghost finders find themselves trapped in an old village hall. The haunting they set out to investigate turns out to be far worse than they anticipated. Who will survive and what will be left of their souls?
Adapted for the screen by Green, Martin Delaney (Zero Dark Thirty), Lucy Cudden (Wounded) and Simon Merrells (The Wolfman) star in what critics say is “chilling” and “entertaining” (Starburst Magazine).
Synopsis: Ghosts exist; whether you choose to believe in them or not. When multiple reports of supernatural occurrences from an old schoolhouse point to a haunting, a team of ghost hunters are dispatched to investigate. But things go from bad to worse when it becomes clear that they are facing something far more sinister than they first anticipated. The school has an evil, dark secret that could strip the souls from their bodies.
When I was given the chance to contribute to this blog, I was overwhelmed to be honest. So when I was given a link to this movie to look at,first out of curiosity I played the first few minutes, I thought "OMG I'm not going to like this".Then I finally sat down to watch it today,in a different frame of mind, I actually enjoyed it.
A simple story of simple folk,who live quite happily secluded from the rest of the world,live off disability cheques,
and Moonshine sales,to passing traveling folk.with Hans Crippleton being quite the celebrity,in the world of Horror,
thanks to his inventive Horror tours.
A real likable fella,who talks like a mix between Ted from Bill & Ted and anyone of the Teenage Mutant Turtles, with a Southern Drawl mixed with surfer dude.
The other thing we find out is the Crippleton's decided to be so secluded,because of the Zombie outbreak after the Civil War,that has eventually taken all the Crippleton family,with only four of the bloodline left. Yes we have a film told Documentary Style,about the rise and fame of Hans Crippleton,with resounding Horror critic Barnaby Hunt, a British sounding very nice gentleman. Who throughout the documentary we find out that poor Hans has a drinking problem,and likes to flirt with the wrong sort of ladies,but he does have a fine range of Merchandise,with bobbleheads Hans, to his fine range of Hans endorsed underpants.
This film is not to be taken seriously for one moment,it is purely tongue in cheek humour, with some nice touches of violence and bloodshed,mixed with genuine laughs. A film that kind of reminded me of Spinal Tap, mixed with Deliverance,with Zombies thrown in for good Measure. Three scenes I found really funny, the scene with Hans's sister deciding if she needed a wash or not,but deciding to rub in the dirt,as the dirt would rub off the other dirt. Hans explaining to his cousin that he is not politically incorrect, but he does not like foreign immigration,we then see Hans battling with Mexican Zombies. The other funny scene is when he has to amputate his sisters leg after she has been bitten.
Directed by Jimmy Lee Combs,and written by Kevin Ward, and stars Andy Hankins and Lyle DeRose, a different film take on Hillbillies and Zombies,with some saying it is a gross stereotype of the under-classes , I disagree I find it is a film about the closeness of family,with a Zombie outbreak thrown in. A very cool film that I can recommend, it is available from November 17th everywhere from Uncork'd Entertainment.
“Krampus: The Reckoning” is a cautionary fairy tale of self-discovery
with fatal consequences for the “bad people.” Foster child, Zoe Weaver, is
demoralized, desensitized and abused. Switched from one foster home to another,
she takes on a matter-of-fact persona. Her only possession is her tattered
little Krampus doll, which always gives her a moment of cynical “happiness” as
she removes his miniature shackles.
An angry and misunderstood Zoe Weaver.
During the first 10 minutes of the film, there is a distinct
“Babadook” feel with Grandmother, picture book on lap, heeding a warning of the
Krampus. But this abruptly changes to “Halloween” with a pediatric psych
setting and doctor-patient interaction while the police investigate a series of
horrific incineration deaths. Later we see influences of “The Orphan” with a
seemingly evil child who is so much more than she appears to be, as the
supernatural aspect of the yarn unwinds. An ending that journeys into gray areas
and an unexpected twist, clarify this whole story was simply a walk into the
“Twilight Zone.” The film toys with conventions and expectations. The engaging story
and well-developed Dr. Rachel Stewart character challenge the viewer to
question his or her assumptions and perspective.
Vivid reds and electric yellows dance across the screen like
a neon dream. With Director, Robert Conway’s trademark, high-contrast
“blockbuster effect” used, Big Red surely reaches its full potential. The story
is well-paced and generally plausible, and while sometimes questionable or
fantastic, it is never dull. In fact, this is a supernatural fable, so a
fantasy element is absolutely fitting. With mild nudity and sexual situations,
this visual adventure is not for children. Sound quality is good and sound
effects are consistent, but with whispers and mumbles the viewer will need to
adjust the volume. Music is of holiday theme and is used sporadically where
appropriate. Cat Bernier does a beautiful job with practical effects, and happy
to suffer for his art, Second Assistant Director, Dave Friedman even allowed
himself to be lit on fire to achieve a burning car scene. The use of CG to
emphasize the supernatural aspect of Krampus seemed a bit out-of-place compared
to the exceptional practical effects. Surprisingly, all practical effects and
shooting were wrapped in about a month. Post-production and CG additions took
almost triple that time. With a deadline of November 3, 2015 for streaming
video release and a DVD release date of December 1, 2015 this project is
literally in the can.
Director Robert Conway on set.
Working on effects behind the scenes.
This is the fourth film for Director and Writer Robert
Conway, who states collaboration and flexibility are key to the success of his
films. With a trusted core team, Conway
has been able to work efficiently, staying within time-allotment and budget to
reach a common goal.
Conway
currently is dedicating his time and talent to writing a new story of demonic
possession. Hopefully this will also have that same “Twilight Zone” feel. I can
almost hear Rod Serling now…
Rating 3.5/5
For more information on “Krampus: The Reckoning” visit the
Uncork’d website.
You can also view the film beginning November 3rd on Vimeo.
Hermann, a failed sculptor, is about to kill himself when he finds a strange, talking hole in the wall. The creature in the hole (Denise Poirier, the voice of ÆON FLUX) has the power to fulfill his wildest dreams, but things go horribly wrong and when the killing starts, Hermann is thrust into the worst nightmare of his life. Deep Dark is a twisted tale warning you to be careful what you wish for, because it just might get you.
Now I went into this movie with no clue what I was letting myself in for, all I knew of the movie was probably the greatest tagline I've ever seen on a movie poster. "This Ain't No Glory Hole", and how right they were!
This movie is a strange one, when it starts it has a feeling of Henenlotter's works (Basket Case is the first that came to mind), but as it progresses it becomes it's own entity. This isn't your usual teeny bopper horror, there is something deep, dark and intelligent about the script and the way it is executed, which is a nice change of pace from the regular bunch of "copying the last big hit" horror movies.
What I would like to give a special credit for with this movie is the direction from Michael Medaglia. It is a beautiful looking movie, stunningly shot and looks alot more than what I imagine the budget of the movie was. The acting is absolutely believable and well performed throughout (which considering the absurdity of the script at times is amazing). The true star of the movie for me is Denise Poirier who plays The Hole. Denise's voice is haunting, warm and yet contains hints of darkness that you never quite know what she is going to do next.
Now let's move onto our "hero" of the piece, Hermann Haig who is played by Sean McGrath. Sean plays this role very well and in a very likable manner, once again with the movie's trademark style of making you think "is he as nice as he seems? Is he an innocent in this? Or Is he a bit of a prick?" (More on pricks later). Hermann is plunged into a world that no-one would ever suspect, a failed artist looking for a break, rents a room with a talking hole in the wall. As someone who has frequented many DJ's homes over my young years this isn't too unusual, but in the context of the movie it is very odd. This sultry and beautiful voice treats Hermann in a way that is very reminiscent of Audrey II in Little Shop Of Horrors, offering him the world but at a cost.
Now Hermann is a red blooded male, there is a talking sexy voice in a hole in the wall, so yes the inevitable does happen at some point (if you don't know what I mean go to your local public convenience and inquire about it), the result leaving you on edge unsure of what could possibly happen. I won't ruin it for you but I was sitting there prepared for the worst! The movie also contains lots of very very dark humor, the occasional throwaway line here and there that if you are in a particular frame of mind will give you a little cheeky titter to yourself.
To wrap things up here, Deep Dark is what it says in the title, the movie is Deep Dark, the humor is Deep Dark, and whatever or whoever is lurking in that wall is definitely Deep and Dark. The movie is beautifully shot and stunning to look at, it's deeply engrossing and highly intelligent for a movie of this kind. Deep Dark may not win an Oscar but it definitely has all the markings of a future cult classic.
2001 Maniacs meets Tucker and Dale vs Evil in "Hans Crippleton : Talk to the Hans" - out this November!
A backwoods family of hillbillies, plagued with a mysterious zombie curse, are about to become stars thanks to Barnaby Hunt, the host of Horror Hunts in this “funny take on the zombie apocalypse” (Legless Corpse).
2001 Maniacs meets Tucker and Dale Vs Evil in Jimmy Lee Combs' “wonderfully offensive showcase of grotesquely kooky characters and inventive low-budget effects” (Rue Morgue).
The film was directed by JImmy Lee Combs and written by by Kevon Ward. "Hans Crippleton" stars Andy Hankins, Lyle DeRose (the upcoming The Magnificent Seven) and Emma Moody.
The film will be available November 17 everywhere from Uncork’d Entertainment.
Synopsis:
Cass and Mark are a couple on a camping trip to the distant countryside. When their seemingly secluded getaway is interrupted by an ominous scream, they start to think someone might be stalking them, and encounter two strangers who are also in the woods near them. Despite everything appearing to be harmless, they can’t shake the feeling that something is wrong. The truth, however, is far more disturbing than meets the eye. You can also check out our review of the film now.
The uniquely disturbing Deep Dark, from writer/director Mike Medaglia, comes to DVD and Digital in November.
Official Synopsis:
Hermann, a failed sculptor, is about to kill himself when he finds a strange, talking hole in the wall. The creature in the hole (Denise Poirier, the voice of ÆON FLUX) has the power to fulfill his wildest dreams, but things go horribly wrong and when the killing starts, Hermann is thrust into the worst nightmare of his life. Deep Dark is a twisted tale warning you to be careful what you wish for, because it just might get you. The film also stars Sean McGrath (TV's "Grimm," Twilight) and John Nielsen (Transformers : Revenge of the Fallen), "Deep Dark" has played to a resoundingly positive response at film festivals right around the world. It’s highly anticipated DVD and VOD release has been scheduled for November 10 via Uncork’d Entertainment.
From director Robert Conway (The Encounter) comes the most frightening film of the festive season. Meet Santa’s dark companion in "Krampus: The Reckoning," gift-wrapped with fear this November 3rd from Uncork’d Entertainment. The cast includes Monica Engesser (Kidnapped Souls), Amelia Haberman (The Toy Soldiers), James Ray (Paranoia), and Owen Conway (The Encounter).
Zoe is a strange little girl, with a not so imaginary friend the Krampus who is the dark companion of kindly old St. Nicholas. The Krampus has been unleashed upon a small town and the legendary demon will seek out all the naughty people to punish them at Christmas time. No one is safe as the Krampus hunts them down, tortures them and then drags their helpless souls to the depths of hell.
"Krampus : The Reckoning" will be out on DVD and Digital Video on November 3, 2015. Read our review of the film.
